Fred's Book Club: Irish Humor, via Chicago.

Welcome back to the Wednesday book feature called the Humpback Writers for no reason we can determine. This year St. Patrick's Day falls on Hump Day, so we are behooved to profile an Irish-themed book for the day, albeit one from a native Chicagoan. And that brings us to Finley Peter Dunne, creator of the irrepressible Mr. Dooley and a Fred fave.

I was willing to spend a fortune on him.

During a hot spell in 2017 I profiled Dunne and his great teller of tales, Mr. Dooley. Dooley is a classic example of a lower class character of long standing, that being a comical retailer of truths who is wiser than the smart set who would look down on him. Dunne, writing at the turn of the last century, chose an Irish gentleman to be his avatar. Other examples might include Joel Chandler Harris's Uncle Remus, Mike Royko's Slats Grobnik, and basically Will Rogers's entire career. 

My 1963 paperback, which may have passed through many hands until it came into mine, contains essays on such topics as the youthful President Teddy Roosevelt, the benefits of hanging aldermen, international affairs, and women's suffrage. The hardest part of reading Dunne's work is to know what the issues of the time were; the second hardest is to get in the rhythm of the Irish dialect as portrayed on paper. If you know a little American history and have been able to get through Mark Twain, you'll be all right with Mr. Dooley. 

I can find no better way to celebrate St. Patrick's Day literarily than presenting one of the essays from the book -- which can also be found in the collection of Dunne's work on Project Gutenberg, thanks to friend Mongo and those other fine preservers of literature in this age of book-burning. In a time when the police are indicted and violent felons turned loose, I thought it would be good to hear from Mr. Dooley...

ON CRIMINALS.

"Lord bless my sowl," said Mr. Dooley, "childher is a gr-reat risponsibility,—agr-reat risponsibility. Whin I think iv it, I praise th' saints I niver was married, though I had opporchunities enough whin I was a young man; an' even now I have to wear me hat low whin I go down be Cologne Sthreet on account iv th' Widow Grogan. Jawn, that woman'll take me dead or alive. I wake up in a col' chill in th' middle iv th' night, dhreamin' iv her havin' me in her clutches.

"But that's not here or there, avick. I was r-readin' in th' pa-apers iv a lad be th' name iv Scanlan bein' sint down th' short r-road f'r near a lifetime; an' I minded th' first time I iver see him,—a bit iv a curly-haired boy that played tag around me place, an' 'd sing 'Blest Saint Joseph' with a smile on his face like an angel's. Who'll tell what makes wan man a thief an' another man a saint? I dinnaw. This here boy's father wur-rked fr'm morn till night in th' mills, was at early mass Sundah mornin' befure th' alkalis lit th' candles, an' niver knowed a month whin he failed his jooty. An' his mother was a sweet-faced little woman, though fr'm th' County Kerry, that nursed th' sick an' waked th' dead, an' niver had a hard thought in her simple mind f'r anny iv Gawd's creatures. Poor sowl, she's dead now. May she rest in peace!

"He didn't git th' shtreak fr'm his father or fr'm his mother. His brothers an' sisters was as fine a lot as iver lived. But this la-ad Petey Scanlan growed up fr'm bein' a curly-haired angel f'r to be th' toughest villyun in th' r-road. What was it at all, at all? Sometimes I think they'se poison in th' life iv a big city. Th' flowers won't grow here no more thin they wud in a tannery, an' th' bur-rds have no song; an' th' childher iv dacint men an' women come up hard in th' mouth an' with their hands raised again their kind.

"Th' la-ad was th' scoorge iv th' polis. He was as quick as a cat an' as fierce as a tiger, an' I well raymimber him havin' laid out big Kelly that used to thravel this post,—'Whistlin'' Kelly that kep' us awake with imitations iv a mockin' bur-rd,—I well raymimber him scuttlin' up th' alley with a score iv polismin laborin' afther him, thryin' f'r a shot at him as he wint around th' bar-rns or undher th' thrucks. He slep' in th' coal-sheds afther that until th' poor ol' man cud square it with th' loot. But, whin he come out, ye cud see how his face had hardened an' his ways changed. He was as silent as an animal, with a sideways manner that watched ivrything. Right here in this place I seen him stand f'r a quarther iv an' hour, not seemin' to hear a dhrunk man abusin' him, an' thin lep out like a snake. We had to pry him loose.

"Th' ol' folks done th' best they cud with him. They hauled him out iv station an' jail an' bridewell. Wanst in a long while they'd dhrag him off to church with his head down: that was always afther he'd been sloughed up f'r wan thing or another. Between times th' polis give him his own side iv th' sthreet, an' on'y took him whin his back was tur-rned. Thin he'd go in the wagon with a mountain iv thim on top iv him, sway in' an' swearin' an' sthrikin' each other in their hurry to put him to sleep with their clubs.

"I mind well th' time he was first took to be settled f'r good. I heerd a noise in th' ya-ard, an' thin he come through th' place with his face dead gray an' his lips just a turn grayer. 'Where ar-re ye goin', Petey?' says I. 'I was jus' takin' a short cut home,' he says. In three minyits th' r-road was full iv polismin. They'd been a robbery down in Halsted Sthreet. A man that had a grocery sthore was stuck up, an' whin he fought was clubbed near to death; an' they'd r-run Scanlan through th' alleys to his father's house. That was as far as they'd go. They was enough iv thim to've kicked down th' little cottage with their heavy boots, but they knew he was standin' behind th' dure with th' big gun in his hand; an', though they was manny a good lad there, they was none that cared f'r that short odds.

"They talked an' palavered outside, an' telephoned th' chief iv polis, an' more pathrol wagons come up. Some was f'r settin' fire to th' buildin', but no wan moved ahead. Thin th' fr-ront dure opened, an' who shud come out but th' little mother. She was thin an' pale, an' she had her apron in her hands, pluckin' at it. 'Gintlemin,' she says, 'what is it ye want iv me?' she says. 'Liftinant Cassidy,' she says, ''tis sthrange f'r ye that I've knowed so long to make scandal iv me before me neighbors,' she says. 'Mrs. Scanlan,' says he, 'we want th' boy. I'm sorry, ma'am, but he's mixed up in a bad scrape, an' we must have him,' he says. She made a curtsy to thim, an' wint indures. 'Twas less than a minyit before she come out, clingin' to th' la-ad's ar-rm. 'He'll go,' she says. 'Thanks be, though he's wild, they'se no crime on his head. Is there, dear?' 'No,' says he, like th' game kid he is. Wan iv th' polismin stharted to take hold iv him, but th' la-ad pushed him back; an' he wint to th' wagon on his mother's ar-rm."

"And was he really innocent?" Mr. McKenna asked.

"No," said Mr. Dooley. "But she niver knowed it. Th' ol' man come home an' found her: she was settin' in a big chair with her apron in her hands an th' picture iv th' la-ad in her lap."